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Aaron Jay Kernis : Musica Celestis


Publisher Associated Music Publishers Inc
Category
Orchestra
Sub-Category String Orchestra
Year Composed
1990
Duration 11 Minutes
Orchestration
str
Availability Hire  Explain this...
Discography
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Score(s) 50482276 Score(s) GS82276

Reviews

  • Even more moving was Aaron Jay Kernis’ “Musica Celestis,” a kind of outer-space exploration of eerie hymnlike harmonies building to first one climax and then another before receding to deep space. Nakahara suggested a parallel with Samuel Barber’s Adagio for Strings. Kernis’ music shares a mystical quality with Barber’s together with a superb command of instrumentation. But Kernis’ projects an unmistakable individuality.
    Travis Rivers, The Spokesman Review, 22/03/2009
  • The piece is punctuated by soaring melodic strings...and bursts of striking dissonance and palpable tension.

    Cathalena E. Burch, Arizona Daily Star, 24/10/2008
  • An indelible memory was formed by Aaron Jay Kernis’ 1990 Musica Celestis. Like Barber’s ubiquitous Adagio, it began life as the slow movement of a string quartet, and was quickly arranged for full string orchestra. Its evocations of endless hymns of praise to God included whispered strings in exquisite soft harmonies, with a gradual accretion to treacherously high, keening string tessitura. A quick cutoff drops instantly back into slow, lush harmonic thoughts where gentle consecutive falling intervals coalesce to form a hauntingly spiritual and deeply satisfying conclusion.
    Herman Trotter , The Buffalo News, 16/03/2008
  • Musica Celestis stands in comparison to Barber's famous Adagio. Like the Barber piece, Kernis's work is a string-orchestra transcription of an adagio movement from a string quartet and is effectively solemn and mournful.

    Kernis's music is about melody, harmony, technique - and relaxation. This is a superbly engineered CD. A highly recommended CD.
  • It is a relief after such vehement and splenetic music to encounter Kernis’s most famous piece. This is the middle movement of his First String Quartet transcribed by the composer for full string orchestra...certainly anyone needs to see this out. This writing is gentle, yielding, supplicatory and emphatic yet never hectoring...
    Rob Barnett, MusicWeb-International.com

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