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Dmitri Shostakovich : Hypothetically Murdered, op.31a


Work Notes available in the USA, Canada and Mexico only
Publisher
Dmitri Shostakovich Estate
Category Orchestra
Sub-Category
Large Orchestra
Arranger / Editor orch. by Gerard McBurney
Duration
42 Minutes
Orchestration 1+pic.11+bcl.ssx+tsx.2/1221/timp.4[=5]perc/out–of–tune upright pf.opt accordion/str
Availability
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Full Score(s) 50486699 Full Score(s) Not available

Programme Note

Who could resist the attractions promised on posters for the new show at Leningrad's Music Hall in the October 1931? In his one and only venture into the realm of music hall, 25-year-old Dmitri Shostakovich collaborated with the stars of Leningrad's circus and variety stage, including the hottest Soviet jazzman-entertainer of the period, Leonid Utyosov, and his signature "theatrical" jazz band.

Shostakovich provided the gallops, waltzes, dances and ditties to animate this outrageous theatrical entertainment, which spotlighted the antics of a trained German shepherd, jugglers, clowns, aerial acrobats, horseback riding, puppets, singers and stand-up comics among other attractions. And, in the spirit of the times, the show was dedicated not simply to dazzling spectacle and thrilling diversions but also, incredibly, to the lofty purpose of educating the population in civil defense preparedness!

Now, in a sparkling orchestration of the music from Shostakovich's Hypothetically Murdered (based on surviving sketches and annotations) Gerard McBurney has revived and recaptured the merriment and humor of Shostakovich's original score, full of the irresistible tunefulness and irreverent wit of his youthful years.


Reviews

  • ...it was Gerard McBurney's imaginative, painstaking reconstruction of Shostakovich's "light-music circus entertainment" score, Hypothetically Murdered, that had the promenaders cheering and stamping for more. In fact its arrival on the scene could be timely -- a reminder that the foremost musical tragedian of the post-war years was also capable of throwing caution and those thick protective glasses into the wings and putting on a five-star musical debauch.
    The Independent
  • McBurney's orchestrations...sounded utterly authentic to these ears: the muted trumpets and saxophone for the schmaltzy waltz, the clarinet perfectly complementing an accordion solo, the marvellously fey dance of the tinsel-winged angels.
    The Times (London)

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