Composers
Robert Kapilow
© Peter Schaaf, 2004
Born: 1952
With his diverse array of talents and his infectious enthusiasm for all things musical, Rob Kapilow has been compared to Leonard Bernstein for bringing the pleasures of classical music to audiences of all ages and backgrounds. As the Boston Globe said, “It’s a cheering thought that this kind of missionary enterprise did not pass from this earth with Leonard Bernstein. Robert Kapilow is awfully good at what he does. We need him.
”What characterizes all of Kapilow's work is his ability to create an “aha” moment for his audiences and collaborators, and his dedication to the idea of bringing music into people’s lives. Opening new ears to musical experiences, Kapilow is helping people to understand how music can enrich, reflect and enhance their daily lives – whether it's through his “What Makes It Great?” presentations (including a “Live From Lincoln Center” PBS broadcast), his “Family Musik” pieces and shows, his “Citypieces” compositions, and his new book, All You Have To Do Is Listen.
Traveling the country enlightening audiences about classical music, Kapilow is well known for his acclaimed program “What Makes It Great?” He initially gained recognition through regular installments on National Public Radio, which were soon expanded into full-length concert evenings and series throughout North America where Kapilow's interactive presentation has lured thousands of new listeners to the concert hall. The series has become a recurring event at New York's Lincoln Center (where Kapilow has the distinction of being the only artist to have his own series), in Boston, Los Angeles, and Kansas City.
Kapilow wrote the first musical setting of a Dr. Seuss work, Dr. Seuss’s Green Eggs and Ham, which was premiered by the New Jersey Chamber Music Society in 1995. It has since achieved great popularity in the children's theater world, prompting Boston Globe music critic Richard Dyer to name it the most popular children's piece since Peter and the Wolf.
Kapilow’s “Citypieces” involve entire communities in the process of conceiving and creating a new piece of music: Union Station, commemorating the 150th anniversary of Kansas City and premiered by the Kansas City Symphony, and D.C. Monuments, premiered by the National Symphony in spring 2000 with the composer conducting. For the bicentennial of the Louisiana Purchase, he composed 03 (This New, Immense, Unbounded World), which the Louisiana Philharmonic toured throughout the state.
Kapilow’s most ambitious “Citypiece,” commemorating the bicentennial of the Lewis and Clark expedition, premiered in September 2004. Co-commissioned by the Carlsen Center, the Saint Louis Symphony, and the Louisiana Philharmonic, Summer Sun, Winter Moon has a text by Darrell Robes Kipp, a member of the Blackfeet Tribe of Montana, and recalls the events from the perspective of those “on the banks of the river.” Summer Sun, Winter Moon came full circle when it returned to Montana with the Helena Symphony in October 2005.
Among his recent compositions are: Crosstown M42, an a cappella youth-chorus collaboration with sound-effect artist Fred Newman of “A Prairie Home Companion” fame; Jabberwocky, on Lewis Carroll’s poem, for chorus and chamber ensemble; and Paddywak: A Tap Dance Concerto, premiered by Ayodele Casel in 2007 at Lincoln Center.
Other works include orchestral versions of both Seuss pieces (for the Minnesota Orchestra); a Christmas-Hannukah pair of pieces: Chris Van Allsburg’s Polar Express, for the Fleet Bank Celebrity Series in Boston where he runs the “Family Musik” series, and Elijah’s Angel, a setting of the celebrated children's book by Michael Rosen; and his first opera, Many Moons, based on the James Thurber story with a libretto by Hilary Blecher, which premiered in January 1997. Other family pieces include And Furthermore They Bite (2000), a companion piece to Carnival of the Animals, and Play Ball!, a setting of the famous Thayer poem, “Casey at the Bat.” Kapilow was a featured composer on Chicago Public Radio's prestigious “Composers In America” series and is a recipient of an Exxon “Meet-the-Composer” grant and numerous ASCAP awards.
As a conductor, Kapilow has led orchestras throughout the United States including the Philadelphia Orchestra, the National Symphony, and the Minnesota Orchestra, performances of a Lukas Foss opera, and leading Robert X. Rodríguez’s Frida for the opening of the Next Wave Festival at the Brooklyn Academy of Music and the American Repertory Theatre. In addition, Kapilow conducted the Hagen Symphony (Germany) in the world premiere of his commissioned work for orchestra, Sing God: in Memoriam Leonard Bernstein.
Kapilow was music director of the Yale Symphony Orchestra and Opera New England, as well as assistant conductor of the Opera Company of Boston and the Bridgeport Symphony. Born on December 22 1952, Kapilow is a Phi Beta Kappa graduate of Yale University, a graduate of the Eastman School of Music, and a student of Nadia Boulanger. He was an assistant professor of music for six years at Yale University and has lectured and taught at universities throughout America.
Robert Kapilow's music is published exclusively by G. Schirmer. -October 2009
Booking requests and conducting engagements:
IMG Artists
Charles Letourneau
152 West 57th Street, 5th Floor
New York, NY 10019
cletourneau@imgworld.com
212-994-3524
Publicist/Special Projects:
21C Media Group
Louise Barder
162 West 56th Street, Suite 201
New York, NY 10019
lbarder@21cmediagroup.com
212-245-2110 x202
External Websites
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