© Andrew Palmer
Brief Biography: Simon Bainbridge had his first major break with Spirogyra, written in 1970 while he was still a student. This work displays a passion for intricate and sensuous textures that remain the hallmark of Bainbridge’s style today. After graduating from the Royal College of Music, he studied with Schuller at Tanglewood; his fondness for American culture is occasionally betrayed in works such as Concerto in Moto Perpetuo (1983), which contains echoes of American minimalism, and the be-bop inspired For Miles (1994). In the 1990s his work took on a new expressive dimension such as in Ad Ora Incerta (1994) which earned him the prestigious Grawemeyer Award in 1997.
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|Key Works: |
- Clarinet Quintet
- For Miles
(1994; trumpet, ensemble)
- Ad Ora Incerta
(1994; mezzo-soprano, bassoon, orchestra)
- Four Primo Levi Settings
(1996; mezzo-soprano, bassoon, orchestra)
(1997; mezzo soprano, chorus and ensemble)
- Guitar Concerto (1998; guitar, ensemble)
(1999; amplified chorus, large ensemble)
- Concerti Grossi
(2010; chamber orchestra)
|Career Highlights: |
- 1969-74 studied at Royal College of Music, London then at Tanglewood with Gunther Schuller
- 1976-8 Forman Fellow in Composition at the University of Edinburgh
- 1983-5 Composer-in-Residence at Southern Arts
- 1997 Grawemeyer Award for Ad Ora Incerta
- 2000 Scherzi commissioned in celebration of the BBC Symphony Orchestra's 70th anniversary
- 2001 appointed Head of Composition at the Royal Academy of Music
- 2002 fiftieth birthday events in Cheltenham, Huddersfield and London
- 2006/7 collaboration with architect Daniel Libeskind on Music Space Reflection
Simon Bainbridge was born in London in 1952. He studied composition with John Lambert at the Royal College of Music and with Gunther Schuller at Tanglewood. The success of Bainbridge’s Spirogyra at the 1971 Aldeburgh Festival led to a string quartet commission, which in turn brought him to the attention of violist Walter Trampler who commissioned the Viola Concerto in 1978.
A series of large scale works followed during the 1980s and 90s, including Fantasia for Double Orchestra (1983), Double Concerto (1990), Toccata for Orchestra (1992), the horn concerto Landscape and Memory (1995) and Three Pieces for Orchestra (1998). In 1997 Bainbridge won the Grawemeyer Award for Ad Ora Incerta (1994), an orchestral song cycle for mezzo soprano and bassoon on poems by Primo Levi. The composer returned to the writer’s work in 1996 in his Four Primo Levi Settings composed for the Nash Ensemble. Both works have been recorded by NMC Records.
Chant, a re-working of Hildegard of Bingen for 12 amplified voices and orchestra, was given its premiere in York Minster by the BBC Singers and BBC Philharmonic in 1999. In celebration of its seventieth anniversary in 2000, the BBC Symphony Orchestra commissioned Scherzi. The piece has subsequently been performed at the Last Night of the BBC Proms in 2005 and by the Toronto Symphony Orchestra in 2007. Voiles (2002), for solo bassoon and 12 strings, was commissioned by Radio France for soloist Pascal Gallois, and performed by him in France and the UK. Orpheus, a short song setting the poetry of WH Auden, was premiered at the 2006 Aldeburgh Festival.
In February 2007 the BBC Symphony Orchestra conducted by David Robertson gave the first performance of Diptych, a thirty-minute work described by the Independent as “music that fascinates by its quietly mutating colours and almost heroic restraint”. In 2007 Bainbridge completed Music Space Reflection, a work for 28 players inspired by and intended to be performed inside buildings designed by architect Daniel Libeskind. Following its premiere at the Imperial War Museum in Manchester the piece has been performed in Copenhagen, London and Toronto. Recent works include a Piano Trio for the US-based Gramercy Trio, Two Trios for the thirtieth anniversary of the Endymion Ensemble, Tenebrae, a setting of Paul Celan premiered by the Hilliard Ensemble and Arditti Quartet, and Concerti Grossi for Northern Sinfonia.
Simon Bainbridge was head of Composition at the Royal Academy of Music from 1999-2007 and received a Professorship from the University of London in 2001. He remains on the faculty of the composition department at the Academy as Senior Professor in Composition. He has recently taught and lectured at the Juilliard School, Boston Conservatory of Music, Yale University and Yonsei University in Seoul, South Korea. In autumn 2010 he will hold a residency at Bard College, New York State, and will return to Korea as visiting composer at Seoul National University.