© Morten Krogvold
Brief Biography: Although undoubtedly one the of most important composers of the twentieth century, Lutosławski was relatively unknown outside Poland until the 1960s. His Symphony No 1 was banned during the Stalinist era, the consequence of which was that he developed a fresh, tonal style, such as in the Concerto for Orchestra. From the 1950s,, he adopted serialism and aleatoric techniques as the state loosened its grip on artistic creativity. The improvement of East-West relations brought him numerous international commissions and major awards. He never lost his creative genius, completing one of his greatest works, his Symphony No 4, just shortly before he died.
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|Key Works: |
- Concerto for Orchestra
- Musique Funèbre
- String Quartet
- Livre pour orchestre
- Chantefleurs et Chantefables
(1991; soprano, orchestra)
- Symphony No 4
|Career Highlights: |
- 1932-7 studied composition at Warsaw Conservatory
- 1949 Symphony No 1 banned as 'formalist'
- 1961 first use of his 'controlled aleatory counterpoint' in Jeux vénitiens
- 1983 awarded Solidarity Prize by Polish undergroudn
- 1985 Grawemeyer Award for Symphony No 3
- 1994 awarded Order of the White Eagle by Lech Walesa
Witold Lutosławski was indisputably one of the major composers of the twentieth century. Born in Warsaw in 1913, he showed prodigious musical and intellectual talent from an early age. His composition studies in Warsaw ended at a politically difficult time for Poland so his plans for further study in Paris were replaced by a period which included military training, imprisonment by the Germans and escape back to Warsaw, where he and his compatriot Andrzej Panufnik played in cafes their own compositions and transcriptions. After the war, the Stalinist regime banned his first symphony (1941-47) as 'formalist', but he continued to compose and in 1958 his Musique Funèbre, in memory of Bartok, established his international reputation. His own personal aleatoric technique whereby the performers have freedom within certain controlled parameters was first demonstrated in his Jeux Venitiens (1961) and is to be found in almost all the later music Over the years, Witold Lutosławski was frequently inspired by particular ensembles and artists including the London Sinfonietta, Sir Peter Pears, Heinz and Ursula Holliger, Dietrich Fischer-Dieskau, Mstislav Rostropovich and Anne-Sophie Mutter. His Symphony No. 4 was commissioned by the Los Angeles Philharmonic Orchestra and received its world premiere in February 1993 under the baton of the composer. A powerful work, it reflected his increasing concern with expansive melody. Among many international prizes awarded to this most modest man were the UNESCO Prize (1959,1968), the French order of Commandeur des Arts et des Lettres (1982), Grawemeyer Award (1985), Royal Philharmonic Society Gold Medal (1986), in the last year of his life, the Swedish Polar Music Prize and the Inamori Foundation Prize, Kyoto, for his outstanding contribution to contemporary European music, and, posthumously, the International Music Award for best large-scale composition for the fourth symphony. Lutosławski's contribution to the musical world was enormous and his loss in February 1994, at the age of 81, will continue to be deeply felt.
© Chester Music