Samuel Barber : Work List

• Orchestra
  •  Adagio for Strings (1938) - 8 minute(s)

    Orchestration   str

  •  Adagio for Strings (intermediate level) , op.11 (1939) - 8 minute(s)

    Orchestration   str[org]

    Arranger / Editor   Jamin Hoffman

  •  Chorale Prelude on Silent Night — from “Die Natali” (1961) - 2 minute(s)

    Orchestration   1.1.2+bcl.1/4031/cel.hp/str
    (org)

  •  Commando March for Orchestra (1943) - 4 minute(s)

    Orchestration   2+pic.2+ca.2+Ebcl+bcl.2+cbn/4331/timp.2perc/pf/str

  •  Die Natali — Chorale Preludes for Christmas (1960) - 16 minute(s)

    Orchestration   2+pic.2+ca.2+bcl.2/4331/timp.perc/hp/str

  •  Fadograph of a Yestern Scene (1971) - 7 minute(s)

    Orchestration   2+pic.2+ca.2+bcl.2/4331/timp.perc/cel.hp[+]pf/str

  •  First Essay (1937) - 8 minute(s)

    Orchestration   2222/4331/timp/pf/str

  •  Horizon (1945) - 4 minute(s)

    Orchestration   1222/2100/timp/hp/str

  •  Intermezzo (from “Vanessa”) (1958) - 4 minute(s)

    Orchestration   3(pic)2(ca)2+bcl.2/4231/timp.perc/hp/str

  •  Medea: Ballet Suite , op.23 (1947) - 29 minute(s)

    Orchestration   2(pic).2(ca).2.2/2[+2].2.2.0/timp.3perc/hp.pf/str

  •  Medea’s Dance of Vengeance , op.23 a (1955) - 14 minute(s)

    Orchestration   3(pic).2+ca.2+Ebcl+bcl.2+cbn/4331/timp.3[+]perc/hp.pf/str

  •  Music for a Scene from Shelley , op.7 (1933) - 8 minute(s)

    Orchestration   32+ca.2+bcl.3/4331/timp.perc/hp/str

  •  Night Flight , op.19 a (1963) - 8 minute(s)

    Orchestration   32+ca.2+Ebcl+bcl.2/4331/perc/pf/str

  •  Overture to “The School for Scandal” , op.5 (1931) - 8 minute(s)

    Orchestration   2+pic.2+ca.2+bcl.2/4331/timp.perc/cel.hp/str

  •  Second Essay (for orchestra) (1942) - 10 minute(s)

    Orchestration   2+pic.2+ca.2(bcl)2/4331/timp.perc/str

  •  Serenade, Op. 1 (string orchestra) (1928) - 10 minute(s)

    Orchestration   str

  •  Symphony No. 1 in One Movement, Op. 9 (1936) - 19 minute(s)

    Orchestration   2+pic.2+ca.2+bcl.2+cbn/4331/timp.perc/hp/str

  •  Symphony No. 2 (1943) - 27 minute(s)

    Orchestration   2+pic.2+ca.2+Ebcl+bcl.2+cbn/4331/timp.2perc.pf/str

  •  Third Essay (1978) - 14 minute(s)

    Orchestration   2+pic.2+ca.2+Ebcl+bcl.2+cbn/4331+euph/2timp/2hp.pf/str

• Soloist(s) and Orchestra
  •  Anatol’s Aria (from “Vanessa”) (1958) - 5 minute(s)

    Soloist(s)   Tenor

    Orchestration   2+pic.2+ca.2+bcl.2/4330/timp.perc/hp/str

  •  Andromache’s Farewell (1962) - 12 minute(s)

    Soloist(s)   Soprano

    Orchestration   2+pic.2+ca.2+bcl.2/4331/timp.perc/hp/str

  •  Antony and Cleopatra, Two Scenes 16 minute(s)

    Soloist(s)   Soprano

    Orchestration   2+pic.2+ca.2+bcl.2+cbn/4331/timp.perc/2hp.pf/str

  •  Canzonetta , op.48 (posth) (1978) - 8 minute(s)

    Soloist(s)   Oboe

    Orchestration   str

    Arranger / Editor   orch. by Charles Turner

  •  Capricorn Concerto (1944) - 14 minute(s)

    Soloist(s)   Flute, Oboe, and Trumpet

    Orchestration   str

  •  Concerto for Piano (1962) - 26 minute(s)

    Soloist(s)   Piano

    Orchestration   2+pic.2+ca.2+bcl.2/4330/timp.perc/hp/str

  •  Concerto for Violin (1939) - 22 minute(s)

    Soloist(s)   Violin

    Orchestration   2(pic).2.2.2/2200/timp/pf/str
    (Violin; piano reduction)

  •  Concerto for Violoncello (1945) - 28 minute(s)

    Soloist(s)   Cello

    Orchestration   21+ca.2(bcl)2/2300/timp.perc/str

  •  Do Not Utter a Word (from “Vanessa”) (1958) - 5 minute(s)

    Soloist(s)   Soprano

    Orchestration   3(pic)2+ca.2+bcl.2/4331/timp.perc/hp/str

  •  Four Songs , op.13 9 minute(s)

    Soloist(s)   Voice

    Orchestration   1.2.2+bcl.2/3.2.2.0/timp/hp/str

  •  Knoxville, Summer of 1915 (1947) - 16 minute(s)

    Soloist(s)   Soprano

    Orchestration   1(pic)1(ca)11/2100/triangle/hp/str

  •  Must the Winter Come So Soon? (from “Vanessa”) (1958) - 3 minute(s)

    Soloist(s)   Voice

    Orchestration   3(pic)2+ca.2+bcl.2/4331/timp.perc/hp/str

  •  Nocturne (voice and orchestra): High Voice , op.13 no.4 (1940) - 4 minute(s)

    Soloist(s)   Voice

    Orchestration   111+bcl.1/2000/timp/hp/str

  •  Sure on this Shining Night (for string orchestra) , op.13 no.3 (1938) - 3 minute(s)

    Soloist(s)   violin, viola

    Orchestration   pf, str

    Arranger / Editor   arr. John Moss

  •  Sure on this Shining Night (for voice and orchestra) , op.13 no.3 (1938) - 2 minute(s)

    Soloist(s)   Voice

    Orchestration   0111/2000/hp/str

  •  Toccata Festiva (1960) - 14 minute(s)

    Soloist(s)   Organ

    Orchestration   2+pic.2+ca.2+bcl.2/4331/timp.perc/str
    (tpt/timp/str)

• Works for Band/Wind/Brass Ensemble
  •  Adagio (from Adagio for Strings) (1938) - 8 minute(s)

    Orchestration   2+pic.23+acl+bcl+cbcl.2asx+tsx+barsx.2/432+btbn1+2bar/db

    Arranger / Editor   arr. by Calvin Custer

  •  Adagio for Young Concert Band (1938) - 8 minute(s)

    Orchestration   113+acl+bcl.2asx+tsx+barsx.1/2321+bar/[perc]

    Arranger / Editor   arr. by Paul Jennings

  •  Commando March for Band (1943) - 4 minute(s)

    Orchestration   2+pic.2.3+Ebcl+acl+bcl.2asx+tsx+barsx.2/433+btbn.2+euph/timp.perc/db

  •  Commando March for Band (Critical Edition) (1943) - 4 minute(s)

    Orchestration   2+pic.2.3+Ebcl+acl+bcl.2asx+tsx+barsx.2/433+btbn.2+euph/timp.perc/db

    Arranger / Editor   R. Anderson Collinsworth

  •  Fantasy on a Theme by Samuel Barber (1941) - 3 minute(s)

    Orchestration   1.1.3+bcl.asx+tsx+barsx.1/1.3.2.1+bar/timp.2perc/[db]

    Arranger / Editor   Richard L. Saucedo

  •  First Essay (concert band) (1937) - 8 minute(s)

    Orchestration   2+pic.23+Ebcl+acl+bcl.2asx.tsx.barsx.2/4331+euph/timp/pf/db

    Arranger / Editor   arr. by Joseph Levey

  •  Intermezzo (from “Vanessa,” band version) (1958) - 4 minute(s)

    Orchestration   323+acl+bcl.2/2asx+tsx+bsx/40+3cnt.30+2bar/hp[=pf]/timp.perc/db

    Arranger / Editor   arr. by Walter Beeler

  •  Medea’s Dance of Vengeance , op.23 a (1955) - 14 minute(s)

    Orchestration   3+2pic.2+ca.4+Ebcl+acl+bcl+Ebcbcl.2asx+tsx+barsx.2+cbn/43[+3cnt]31+euph/timp.xylo.perc/hp.pf/db

    Arranger / Editor   arr. by Frank M. Hudson

  •  Overture to “The School for Scandal” (1931) - 8 minute(s)

    Orchestration   2+pic.2+ca.3+Ebcl+acl+bcl+Ebcbcl+Bbcbcl.2asx+tsx+barsx.2cbn/4.3+3cnt.31+bar/timp.3perc/cel.hp/db

    Arranger / Editor   arr. by Frank Hudson

  •  Second Essay (for band) (1942) - 10 minute(s)

    Orchestration   concert band

    Arranger / Editor   arr. George R. Schneider

  •  Sure on this Shining Night (for concert band) , op.13 no.3 (1938) - 3 minute(s)

    Orchestration   1.1.3+acl+bcl.2asx+tsx+barsx.2/2.3.2.1+bar/timp.3perc/db

    Arranger / Editor   arr. Richard L. Saucedo

  •  Symphony No. 1 in One Movement (band version) (1936) - 19 minute(s)

    Orchestration   2[(afl)]+pic.2+ca.3[+acl]+bcl+Ebcbcl+Bbcbcl.2asx+tsx+barsx.2+cbn/4.2+3cnt.3.1+bar/timp.2perc/hp/db

    Arranger / Editor   arr. by Guy Duker

• Large Ensemble (7 or more players)
  •  Adagio for Strings (arr. for clarinet choir) (1938) - 8 minute(s)

    Orchestration   3+Ebcl+acl+2bcl+Ebcbcl+Bbcbcl

    Arranger / Editor   arr. by Lucien Cailliet

  •  Adagio for Strings (transcribed for woodwind choir) (1938) - 8 minute(s)

    Orchestration   2+pic.2+ca.3+Ebcl+acl+bcl+cbcl.2asx+tsx+barsx.2

    Arranger / Editor   arr. by John O’Reilly

  •  Mutations from Bach (1968) - 6 minute(s)

    Orchestration   4hn.3tpt.3tbn.tba/timp

• Soloist(s) and Large Ensemble (7 or more players)
  •  Knoxville, Summer of 1915 (wind ensemble version) (1947) - 16 minute(s)

    Soloist(s)   Soprano

    Orchestration   2(pic).2(ca).2+bcl.2/2110/mba/hp/vc.db

    Arranger / Editor   arr. by Kenneth Singleton

• Works for 2-6 Players
  •  Adagio (1938) - 8 minute(s)

    Orchestration   vn, pf

    Arranger / Editor   arr. by Jerry Lanning

  •  Adagio (1938) - 8 minute(s)

    Orchestration   4 sax

    Arranger / Editor   M. Warner

  •  Adagio for Strings (1938) - 8 minute(s)

    Orchestration   2vn, va, vc

  •  Adagio for Strings (1938) - 8 minute(s)

    Orchestration   2fl+afl+bfl

    Arranger / Editor   Rië Schmidt

  •  Canzone , op.38 a (1959) - 5 minute(s)

    Orchestration   vn, pf

  •  Canzone , op.38 a (1959) - 5 minute(s)

    Orchestration   fl, pf

  •  Commemorative March (1940) - 2 minute(s)

    Orchestration   vn, vc, pf

  •  Music for Violin and Piano

    Orchestration   vn, pf

  •  Serenade(string quartet) (1928) - 10 minute(s)

    Orchestration   str4tet

  •  Sonata (for cello and piano) (1932) - 19 minute(s)

    Orchestration   vc, pf

  •  String Quartet (1936) - 17 minute(s)

    Orchestration   2vn, va, vc

  •  Summer Music (1956) - 12 minute(s)

    Orchestration   fl.ob.cl.bn.hn

• Solo Keyboard(s)
  •  Adagio for Strings (1938) - 8 minute(s)

    Orchestration   org

    Arranger / Editor   William Strickland

  •  Adagio for Strings (1938) - 8 minute(s)

    Orchestration   pf

    Arranger / Editor   Lawrence Rosen

  •  Ballade (1977) - 5 minute(s)

    Orchestration   pf

  •  Chorale Prelude Silent Night (from Die Natali) 2 minute(s)

    Orchestration   org

  •  Complete Piano Music

    Orchestration   pf

  •  Early Piano Works

    Orchestration   pf

  •  Excursions , op.20 no.2,3

    Orchestration   pf

  •  Excursions—four pieces for piano , op.20 (1944) - 12 minute(s)

    Orchestration   pf

  •  Interlude I (Adagio for Jeanne), Op. Posth. (1932) - 3 minute(s)

    Orchestration   pf

  •  Music for Organ

    Orchestration   org

  •  Nocturne (Homage to John Field) , op.33 (1959) - 4 minute(s)

    Orchestration   pf

  •  Sonata (1949) - 19 minute(s)

    Orchestration   pf

  •  Souvenirs (piano duo - Gold & Fizdale) (1952) - 19 minute(s)

    Orchestration   Two pianos, four hands (Gold/Fizdale)

    Arranger / Editor   Gold & Fizdale

  •  Souvenirs (piano duo) (1952) - 19 minute(s)

    Orchestration   One piano, four hands (original)

  •  Souvenirs (piano solo) (1952) - 19 minute(s)

    Orchestration   pf

  •  Suite for Carillon (1934)

    Orchestration   carillon

  •  Under the Willow Tree (from “Vanessa,” for piano) 3 minute(s)

    Orchestration   pf

    Arranger / Editor   ed. Lawrence Rosen

  •  Wondrous Love -- Variations on a Shape Note Hymn (1958) - 6 minute(s)

    Orchestration   org

• Chorus a cappella / Chorus plus 1 instrument
  •  Ad Bibinem cum me rogaret ad cenam (1943)

    Chorus   SATB a cappella

  •  Agnus Dei (1938) - 8 minute(s)

    Chorus   mixed voices a cappella

  •  Complete Choral Music (revised edition)

    Chorus   chorus

    Orchestration   pf

  •  God’s Grandeur (1938) - 5 minute(s)

    Chorus   SSAATTBB chorus

  •  Lamb of God (1938) - 8 minute(s)

    Soloist(s)   En

    Chorus   mixed chorus

    Orchestration   optional piano or organ

  •  Let Down the Bars, O Death , op.8 no.2 (1936) - 1 minute(s)

    Chorus   mixed chorus a cappella

  •  The Monk and His Cat , op.29 no.8 (1953) - 3 minute(s)

    Chorus   mixed voices

  •  Motetto on Words from the Book of Job (1930)

    Orchestration   double chorus

    Arranger / Editor   ed. Harold Rosenbaum

  •  A Nun Takes the Veil (Heaven Haven) (for chorus a cappella SATB) , op.13 no.1 (1937) - 3 minute(s)

    Chorus   SATB voices a cappella

  •  A Nun Takes the Veil (Heaven Haven) (for chorus a cappella SSAA) , op.13 no.1 (1937) - 3 minute(s)

    Chorus   SSAA voices a cappella

  •  On the Death of Antony 3 minute(s)

    Chorus   mixed voices

    Orchestration   pf

  •  On the Death of Cleopatra 3 minute(s)

    Chorus   mixed voices

    Orchestration   pf

  •  Prayers of Kierkegaard (for chorus and organ) 18 minute(s)

    Chorus   SATB

    Orchestration   org

    Arranger / Editor   Norris L. Stephens

  •  Reincarnations - No. 1: Mary Hynes (1940) - 8 minute(s)

    Chorus   mixed chorus a cappella

  •  Reincarnations - No. 2: Anthony O'Daly (1940) - 8 minute(s)

    Chorus   mixed chorus a cappella

  •  Reincarnations - No. 3: The Coolin (1940) - 8 minute(s)

    Chorus   mixed chorus a cappella

  •  Reincarnations (critical ed. by Joshua Parman) (1942)

    Arranger / Editor   Joshua Parman

  •  Sure on this Shining Night (Easy Choral Edition for SA) , op.13 no.3 (1938) - 3 minute(s)

    Chorus   SA

    Orchestration   pf

    Arranger / Editor   arr. by Emily Crocker

  •  Sure on this Shining Night (Easy Choral Edition for SATB) , op.13 no.3 (1938) - 3 minute(s)

    Chorus   SATB

    Orchestration   pf

    Arranger / Editor   arr. by Emily Crocker

  •  Sure on this Shining Night (for chorus SAB) , op.13 no.3 (1938) - 3 minute(s)

    Chorus   SAB

    Orchestration   pf

    Arranger / Editor   arr. Dick Averre

  •  Sure on this Shining Night (for chorus SATB) , op.13 no.3 (1938) - 3 minute(s)

    Chorus   SATB

    Orchestration   pf

  •  To Be Sung on the Water (for chorus SATB) , op.42 no.2 (1968) - 3 minute(s)

    Chorus   SATB

  •  To Be Sung on the Water (for chorus SSAA) , op.42 no.2 (1968) - 3 minute(s)

    Chorus   SSAA

  •  Twelfth Night , op.42 no.1 (1968) - 4 minute(s)

    Chorus   mixed voices a cappella

  •  Twelve Rounds

    Chorus   SATB a cappella

  •  Under the Willow Tree (from “Vanessa,” for chorus with solo voice) 3 minute(s)

    Soloist(s)   voice

    Chorus   mixed voices

    Orchestration   pf

  •  The Virgin Martyrs , op.8 no.1 3 minute(s)

    Chorus   women's voices a cappella

• Chorus and Orchestra/Ensemble
  •  Easter Chorale (1965) - 3 minute(s)

    Chorus   chorus

    Orchestration   brass sextet, timpani, and optional organ

  •  The Lovers (1971) - 31 minute(s)

    Soloist(s)   Baritone

    Chorus   Mixed Chorus

    Orchestration   2+pic+afl.2+ca.2+bcl.2/4331/timp.perc/hp.pf.cel/str

  •  Prayers of Kierkegaard (1954) - 18 minute(s)

    Soloist(s)   Soprano

    Chorus   Mixed Chorus

    Orchestration   2+pic.2+ca.2+bcl.2/4331/timp.perc/hp.pf/str

  •  Prayers of Kierkegaard (Hoiby version) (1954) - 18 minute(s)

    Soloist(s)   Soprano

    Chorus   Mixed Chorus

    Orchestration   1(pic)1(ca)2(bcl)1/2110/timp.perc/org/str

    Arranger / Editor   arr. by Lee Hoiby

  •  A Stop Watch and an Ordnance Map (1940) - 6 minute(s)

    Chorus   Men's Voices (TTBB)

    Orchestration   4hn.3tpt.tbn.tba/timp
    (timp)

• Solo Voice(s) and up to 6 players
  •  65 Songs: High Voice

    Orchestration   Voice, pf

  •  65 Songs: Medium/Low Voice

    Orchestration   Voice, pf

  •  Bessie Bobtail: High Voice , op.2 no.3 (1934) - 3 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  Bessie Bobtail: Low Voice , op.2 no.3 (1934) - 3 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  Collected Songs: High Voice

    Soloist(s)   voice

    Orchestration   pf

  •  Collected Songs: Low Voice

    Soloist(s)   voice

    Orchestration   pf

  •  The Daisies: High Voice , op.2 no.1 (1927) - 1 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  The Daisies: Low Voice , op.2 no.1 (1927) - 1 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  Despite and Still: High Voice (1969) - 9 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  Despite and Still: Low Voice (1969) - 9 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  Dover Beach (1931) - 9 minute(s)

    Soloist(s)   Medium Voice

    Orchestration   2vn, va, vc

  •  Hermit Songs: High Voice (1953) - 20 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  Hermit Songs: Low Voice (1953) - 20 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  I Hear an Army: High Voice , op.10, No. 3 (1936) - 3 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  I Hear an Army: Low Voice , op.10 no.3 (1936) - 3 minute(s)

    Soloist(s)   Voice

    Orchestration   pf

  •  Lord Jesus Christ! 3 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  Mélodies Passagères: High Voice 12 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  Mélodies Passagères: Low Voice 12 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  Monks and Raisins (in F): High Voice , op.18 no.2 (1943) - 1 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  Monks and Raisins (in F): Low Voice , op.18 no.2 (1943) - 1 minute(s)

    Soloist(s)   Voice

    Orchestration   pf

  •  Music for Soprano and Orchestra (Operatic and Concert Scenes)

    Soloist(s)   Soprano

    Orchestration   pf

  •  Nocturne (high voice and piano) , op.213 no.4 (1940) - 4 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  Nocturne (low voice and piano) , op.13 no.4 (1940) - 4 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  A Nun Takes the Veil (Heaven Haven) (for high voice and piano) , op.13 no.1 (1937) - 3 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  A Nun Takes the Veil (Heaven Haven) (for low voice and piano) , op.13 no.1 (1937) - 3 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  Nuvoletta: High Voice (1947) - 5 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  Nuvoletta: Low Voice (1947) - 5 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  The Queen’s Face on the Summery Coin: High Voice , op.18 no.1 (1942) - 2 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  The Queen’s Face on the Summery Coin: Low Voice , op.18 no.1 (1942) - 2 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  Rain Has Fallen: High Voice , op.10 no.1 (1936) - 3 minute(s)

    Soloist(s)   Voice

    Orchestration   pf

  •  Rain Has Fallen: Low Voice , op.10 no.1 (1936) - 3 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  The Secrets of the Old: High Voice , op.13 no.2 (1938) - 1 minute(s)

    Soloist(s)   Voice

    Orchestration   pf

  •  The Secrets of the Old: Low Voice , op.13 no.2 (1938) - 1 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  Sleep Now: High Voice , op.10 no.2 (1936) - 3 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  Sleep Now: Low Voice , op.10 no.2 (1936) - 3 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  Sure on this Shining Night (for high voice and piano): , op.13 no.3 (1938) - 3 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  Sure on this Shining Night (for low voice and piano): , op.13 no.3 (1938) - 3 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  Ten Early Songs (1925-1937) (1925)

    Soloist(s)   voice

    Orchestration   pf

  •  Ten Selected Songs: High Voice (Book/CD)

    Soloist(s)   voice

    Orchestration   pf

  •  Ten Selected Songs: Low Voice (Book/CD)

    Soloist(s)   voice

    Orchestration   pf

  •  Three Songs: High Voice , op.45 (1945) - 10 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  Three Songs: Low Voice , op.45 (1974) - 10 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  Under the Willow Tree (from “Vanessa,” for solo voice) 3 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  Under the Willow Tree (from “Vanessa,” for two voices) 3 minute(s)

    Soloist(s)   2 voices

    Orchestration   pf

  •  With Rue My Heart is Laden: High Voice , op.2 no.2 (1928) - 2 minute(s)

    Soloist(s)   voice

    Orchestration   pf

  •  With Rue My Heart is Laden: Low Voice , op.2 no.2 (1928) - 2 minute(s)

    Soloist(s)   voice

    Orchestration   pf

• Opera and Music Theatre
  •  Antony and Cleopatra (1966) - 2 Hour(s) 0 minute(s)

    Soloist(s)   Soprano, 12 Basses [1=Baritone], 8 Tenors [1=High Baritone], lyric Soprano, Mezzo soprano, Alto, 5 Baritones [1=Tenor, 1=Bass]

    Chorus   SSATB chorus; ballet

    Orchestration   2+pic.2+ca.2+bcl.2+cbn/4331/timp.5perc/hp.pf.cel/str
    (Red orch: 2(afl:pic).2(ca).2(bcl).2(cbn)/4230/timp.5perc/hp.pf.cel/str)

  •  A Hand of Bridge (1959) - 9 minute(s)

    Soloist(s)   Baritone, Soprano, Tenor, Alto

    Orchestration   1111/0100/perc/pf/2vn.va.vc.db

  •  Vanessa (1957) - 2 Hour(s) 0 minute(s)

    Soloist(s)   Soprano, Mezzo soprano, Tenor, Baritone [=Bass Baritone], Alto, 2 Basses, silent role

    Chorus   SATB chorus

    Orchestration   2+pic.2+ca.2+bcl.2/4331/timp.perc/hp/str — stage band:1122/2100/perc/pf.cel.org.acn/str
    (reduced orchestration by James Medvitz: 2(pic).1+ca.2(bcl).2/3.2.2(btbn).1/syn(covering organ, celesta, accordion parts of the original)/timp.perc/hp/str — stage band:1111/2100/snare dm/str)

• Dance
  •  Medea — Cave of the Heart (1947) - 23 minute(s)

    Orchestration   1(pic).1(ca).1.1/1000/pf/str

  •  Souvenirs (orchestra) (1952) - 19 minute(s)

    Orchestration   2(pic)2(ca)22/4330/timp.perc/hp.cel/str

• Music for Young Performers
  •  Adagio for Strings (1938) - 8 minute(s)

    Orchestration   intermediate str

    Arranger / Editor   arr. Jamin Hoffman