Work Information
| Commissioned by the University of Otago, Dunedin, New Zealand |
| Work Notes |
Headlands in Summer Autumn Jig Narcissus The Remarkables, Queenstown Meditation in winter The sea Song in Spring |
Publisher |
Novello & Co Ltd |
| Category |
Solo Voice(s) and up to 6 players |
Year Composed |
1979 |
| Duration |
23 Minutes |
Orchestration |
Soprano/pf |
| Availability |
Sale from Musicroom or Music Dispatch Explain this... |
Discography |
Here... |
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| Set(s) of Parts: |
NOV170312 |
Set(s) of Parts: |
Not available |
Programme Note
John Joubert: The Turning Wheel, Op. 95
Headlands in Summer On rocks high-lifted from the sea In brilliance of salt blue air Grass ripples like a cat's fur, Or silk unwinding endlessly;
Open to every wind that blows, Its flower, more soft than fur or feather, Rooted on rock in wild weather, Is unperturbed as sheltered rose.
Unwearying anchor the root that tied The first seed in spray of storm, Holding the ripening flower from harm, Sweetening crevice and cliff-side.
Safely all the thunderous year, On shelves too poor for scythe or sheep, A green lizard may fall asleep Or a wide-winged sea-bird rest there.
Autumn Jig Skip and hop to the wind's tune, Few are the leaves that hang in June; At the centre of their dance The tree resumes her broken trance, Heedless whether a heavy bough Swings in the wind or is quiet now.
Not a tree in spring will show Fear of frost or late snow; Any old thorn by the roadside Will dress herself up like a bride, And though her joy last but a day Will lightly let it stream away.
Narcissus Under turning trees Where wind-touch and leaf-fall Trouble a green pool Still the heart sees That mirrored boy grow pale and cold Weeping for all he cannot hold.
Narcissus through his tears Beheld a bird flying Meadow and tree lying Light on the water as flowers, Clear among reeds a boy alone; And knew the weeping face his own.
Sweet bird on a willow Sing again your song, Long, long, long, A gossamer thread to follow From meditation of an hour Out to the calm of water and flower.
The Remarkables, Queenstown Slowly, without sound the wheel turns, Dry rock shall nourish a forest of ferns. That harsh lizard-backed mountain range Appearing changeless in a sky of change, Grave dinosaur dozing on Heavy bone heaped on heavy bone, To water yields, will fall and fall away Till shells are white on the sea-bed where it lay; Water, that gives the willow her soft hair And asks not whether she is bent or fair, Holding a glass for all or none to see Time at rest in moving cloud and tree.
Meditation in Winter Though every petal fall And the bright fruit at last, Colour fade from the wall And leaves whirl past Like papers in a gale, The root stands fast.
Red-gold or orange-skin Sunflower or daisy in bloom With sandpaper leaf and thin Tall ebony stem Here to the touch within The void of a dark room.
Footsteps from the street sound Like hooves in the frosty air; That iron root I found And thought would nothing bear Drew from sunless ground White flowers each year.
I ponder a common thing With prisoner and nun, Yellow flowers in spring Returning to the sun And the faithful awakening Of the iron-rooted white one.
The Sea The sea like death accepts all things, Bird-voiced water from far inland springs, Sunset rock-pools of a few hours, Snow and glaciers and summer showers; There the muddy river is made clear, Uprooted tree and flood-wrack disappear.
Bone with my bone is every abandoned shell; Calm the water lies as in a well In open pools along the unresting shore: In hollowed bone I hear the seas roar Telling of what is past and still to pass A voice among voices like the voice of grass.
Song in Spring I gathered reeds where a dragon died And from full tide to ebb tide Piped on a stone by the roadside.
Some going by at a jog-trot Cried that I could pipe and rot, Some stopped to listen, others would not.
Some longed to pipe all day, and sing; But round they ran in the old ring Hurrying like ants all the soft spring. Ruth Dallas
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