Work Information
Thea Musgrave : On the Underground Set No. 1 (On gratitude, love & madness)
| commissioned by Canzonetta, with funds from Sainsbury Choir of the Year Competition |
| Publisher |
Novello & Co Ltd |
Category |
Chorus a cappella / Chorus plus 1 instrument |
| Year Composed |
1994 |
Duration |
10 Minutes |
| Chorus |
SATB |
Availability |
Sale from Musicroom or Music Dispatch Explain this... |
| Discography |
Here... |
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| Full Score(s): |
NOV160270 |
Full Score(s): |
Not available |
Programme Note
PROGRAMME NOTE
There is one unexpected pleasure taking the London Underground (and, more recently, also the New York City subway): one's eye may alight on a poem placed amongst the pervasive and numbing advertisements, and, for a moment, the imagination takes wing.
The six poems selected for this work are all to be found in 100 Poems on the Underground. The first and last, Benediction by James Berry and Sometimes by Sheenagh Pugh are expressions of gratitude. The second poem Her Anxiety by Yeats, describes the inevitable death of true love. In the third poem Stevie Smith's Lady Singleton follows her own very eccentric ways, in contrast to Adrienne Rich's Aunt Jennifer of the fifth poem, who is trapped by the deadly weight of convention. In the third poem, Much Madness is divinest Sense, Emily Dickinson tells of how anybody flouting the majority opinion is "straightway dangerous and handled with a chain".
Reviews
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"On the Underground," (is) an attractive a cappella setting of texts drawn from an anthology of poetry that has appeared in London subway cars…the composer chose carefully and unified short poems by James Berry, William Butler Yeats, Emily Dickinson, Adrienne Rich and others, with a cohesive musical style. That style featured tightly woven harmonies and staggered entrances at the same point in the poem, creating the impression of music stretching from within itself, sound blooming from within sound.
Jeremy Eichler, The New York Times, 05/06/2003
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