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James Whitbourn : Missa Carolae


Commissioned by the Rochester Cathedral for its 1400th anniversary.
Publisher Chester Music Ltd
Category
Chorus and Orchestra/Ensemble
Year Composed 2004
Duration
23 Minutes
Chorus SATB (with divisi)
Orchestration
fife flute/3pt.3tbn/2perc/org/optional congregation
alt.: SATB (with divisi); org; pic (optional)
Languages Latin, English
Availability
Sale from Musicroom or Music Dispatch  Explain this...
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Customers for the world except the UK, Australia, and New Zealand Customers within the UK, Australia, and New Zealand
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Full Score(s) CH71621 Full Score(s) Not available
Set(s) of Parts CH70961 Set(s) of Parts Not available
Solo Part(s) CH79893-02, CH79893-01 Solo Part(s) Not available

Programme Note

Digital perusal score available from ScoresOnDemand
The work is available in two scorings: it can be performed either with SATB, choir and organ,
or (preferably) in its original scoring, available on hire from the publishers:
SATB (with divisi)
Piccolo (or fife)
3 Trumpets
3 Trombones
Organ
2 percussionists (drums, cymbals, tubular bell)
Congregation part (ad lib)
NB: the organ accompaniment in this score is for performance of the version for voices and
organ only; the separate organ part, available on hire, must be used for the version with
instruments.
An ad lib part for the congregation is incorporated into the full scoring of Missa Carolae.
References to the entries of the congregation is made in the vocal score for occasions when it
is used in conjunction with the full instrumentation. The congregation part is available on sale
(order no. CH70961).
Missa Carolæ was written for the 1400th anniversary of Rochester Cathedral, the second
oldest cathedral in England. Performances there begin with a ceremonial procession that
follows the movement of a boy chorister, accompanied by pipe and drum, from the High Altar
to a large crib placed in the Nave, gathering the choirs (singing from different parts of the
cathedral) and principal clergy in the course of the procession.
The work, though not literally for dancing, is intended to invoke a dance-like spirit, which
is true to the origin of the carol as a simple dance form. The choir parts should be very well
known, so that the singers can sing with the whole of their bodies and not just their voices.
It is suitable for liturgical or concert use.
The following melodies from traditional Christmas Carols are incorporated in the mass:
Processional: Guillô, pran ton tamborin!
Kyrie: Noël nouvelet! (French traditional).
Gloria: Es ist ein Ros’ entsprungen (Prætorius);
God rest ye merry gentlemen (English traditional).
Sanctus & Benedictus: In dulci jubilo (German traditional);
Remember, O thou man (Ravenscroft).
Agnus Dei: Wzlobie lezy (Infant holy) (Polish traditional).
Texts: Guillô, pran ton tamborin! (translated by James Whitbourn), Isaiah 9 and the Latin Mass.

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