Work Information
| Publisher |
Chester Music Ltd |
Category |
Solo Voice(s) and up to 6 players |
| Year Composed |
2005 |
Duration |
30 Minutes |
| Orchestration |
tenor/ob/pf |
Availability |
Sale from Musicroom or Music Dispatch Explain this... |
| Discography |
Here... |
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| Score and Part(s)(s): |
CH71533 |
Score and Part(s)(s): |
Not available |
Programme Note
Songs of the Sky was written in memory of those killed in the Tsunami. I had already been setting “Haiku” to music when I heard of the human tragedy. The Haiku (verses) seemed so deeply relevant that I decided to begin Songs of the Sky, with a dedication in Latin to the victims of the Tsunami. The eleven short verses have contrasting musical material. The songs come from the American Indian tradition, Zen Buddhism, and the Hindu tradition, the metaphysics of which so deeply understand the “sacredness” of the virgin nature; God inside and above nature; In the final song, a Bengali hymn to the Goddess Kali, the poet prays to her as a “death conquering” Goddess, to “enter in dancing Thy rhythmic dance, That I may behold Thee with closed eyes” All the musical material from the previous ten songs is gathered together in the last prayer. It is as if the fragmented essences of the previous songs have all been gathered together in this fierce but transcendent Hymn to the Goddess of Death. The use of long silences and dying sounds is integral to the cycle.
Reviews
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Tavener’s long cycle Songs of the Sky also refers, oddly, back to earlier English music – the ‘Song of the Ghost Dance’ reminds me, entirely unexpectedly, of both Britten and Vaughan Williams, and ‘Nothing lives long’ very insistently of Britten. For these texts, from American Indian, Buddhist and Hindu sources, one imagines that the composer must have felt impelled to find a very particular vocabulary, or even possibly have felt completely free and unmoored; the more curious, then, the music’s utterly English, frequently rhapsodic, quality. It’s a quality that certainly suits Charles Daniels’s voice: I’d like to hear more of him in English song (note that I hereby place Tavener firmly within this category!).
Ivan Moody, International Record Review, 01/06/2009
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