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Work Information

Augusta Read Thomas : Fugitive Star


Publisher G Schirmer Inc
Category
Works for 2-6 Players
Sub-Category String Quartet
Year Composed
2000
Duration 9 Minutes
Orchestration
2vn, va, vc
Availability Sale from Musicroom or Music Dispatch  Explain this...

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Score and Part(s)(s) 50485071 Score and Part(s)(s) Not available

Programme Note

Composer’s Note:

Music of all kinds constantly amazes, surprises, propels and seduces me into a wonderful and powerful journey. I am happiest when I am listening to music and in the process of composing music. I care deeply that music is not anonymous and generic or easily assimilated and just as easily dismissed. I would say that Fugitive Star has passionate, urgent, seductive, and compelling qualities of sometimes complex, but always logical thought, allied to sensuous and engaging sonic profiles.

The intimation of a cosmic star that was breaking away from and fearlessly escaping the pull of centrifugal force captured my imagination. I attempted to conceive the passion and force of this star specifically in the viola line which starts the work with an elegant and almost timeless, floating melody. The viola, little by little, leads the quartet forward in an intrepid, bold, and partially ravished continuum of sound which transforms until eventually the entire string quartet plays one theme in unison. This leads to the coda which returns to the slow, lyrical, sensuous, and weightless nature implied the opening materials. The music ends on a delicate chord between the viola and the violin, which sounds almost like fragile glimmer of light as seen from afar.

Fugitive Star, which was composed for the Avalon String Quartet, is in one movement and has a duration of about 8 minutes.

Fugitive Star was commissioned by the Caramoor International Chamber Music Festival for the Avalon Quartet with support from Chamber Music America.

— Augusta Read Thomas

Reviews

  • FUGITIVE STAR was a passionate and impeccably crafted and conceived new quartet, written for and dedicated to the Avalon Quartet by the young but by no means unknown Augusta Read Thomas. Though only eight minutes in length, it was the high point of the program. It is not only a stunning piece but was stunningly played by the Avalon Quartet. The work is simple and direct, stretching as a single gesture from beginning to end. It profited from the timbral breadth of the Avalon, and their commitment to the work is understandable.
    Keith Chapin, San Francisco Classical Voice

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